26 Oct Titash Ekti Nadir Naam (A River Called Titas), is director Ritwik Ghatak’s film adaptation of the autobiographical novel by Advaita Malla. 17 Mar Ghatak’s women rarely confront his uncannily mobile camera in Titas Ekti Nadir Naam (A River Called Titas, ), they suffer patiently, are. – Buy Titas Ekti Nadir Nam book online at best prices in India on Read Titas Ekti Nadir Nam book reviews & author details and more at .
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Retrieved 24 May In between he made a number of shorts and documentaries including FearRendezvousAmar Lenin My Lenintitas ekti nadir naam left two fictional films unfinished. Views Read Edit View history. Like Subarnarekhahere too his micro-history runs parallel with its macro counterpart, with subsequent not-so-literal overlapping ssomething which troubled a historian like Bhadra.
After their wedding night, Kishore’s young bride is kidnapped on the river. Retrieved 9 January Meanwhile, his young bride fights with the titas ekti nadir naam, jumps into ektl river and is saved by some villagers. Eros and Thanatosdrives towards life and death accompany these doomed cinematic mortals against the background of a passionately indifferent nature. Archived from the original on Retrieved from titas ekti nadir naam https: A young widow Basanthi helps the mother and child.
Ten years later, she attempts to find Kishore with their son.
Utpal Dutt, the renowned Bengali thespian and Marxist intellectual, adapted Titas for stage. Titas Ekti Nadir Naam Bengali: Ritwik Ghatak from a novel by Advaita Mallabarman Phot: This page was last edited on 3 Julyat Madhumati Kumari Mon Rajkanya Retrieved 3 August Later it turned out that Titas ekti nadir naam and Basanthi were childhood lovers.
Titas Ekti Nadir Nam ( তিতাস একটি নদীর নাম)
Articles containing Bengali-language text. Unfortunately, the young bride knows nothing about her husband, she doesn’t even know her husband’s name.
Alongside Satyajit Ray ‘s Kanchenjungha  and Mrinal Sen ‘s Calcutta 71Titash Ekti Nadir Naam is one of the earliest films to resemble titas ekti nadir naam cinemafeaturing multiple characters in a collection of interconnected titas ekti nadir naam, predating Robert Altman ‘s Nashville Like Siegfried Kracauer whose Theory of Film: In Titasit is more literal in his interpretation of naidr loss of a pre-industrial way of life.
Ghatak looks at human relationships alone, as his individuals and the larger social forces run parallel, they remain dissociated within the diegetic space.