Nigel Spivey is a lecturer in Classics at Cambridge University. He has written several books on Greek and Etruscan art. He is the presenter of the BBC/PBS. How Art Made the World: A Journey to the Origins of Human Creativity . How Art Made the World di Nigel Spivey, professore di Cambridge, NON è Civilization. : How Art Made the World: A Journey to the Origins of Human Creativity (): Nigel Spivey: Books.

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How Art Made the World

The BBC must have warned him that its licence-fee payers are morons, since we need to be told that Plato is ‘the Greek philosopher’ or that Picasso is ‘arguably the most illustrious artist of the twentieth century’. Delves into the compulsion of human beings over thousands of years to surround themselves with powerful and often terrifying images of death. They tell us how to behave, even how to feel. The find revealed that, About 35, years ago, we began to create pictures and to understand what they meant.

Why must we die? When and why did humans begin making pictures? By using this site, you agree to the Terms of Use and Privacy Policy. Learn more More Like This. Customers who viewed this item also viewed. Ramachandran speculates that the reason for this lies in a neurological principle known as the supernormal stimuluswhich Spivey demonstrates by replicating Nikolaas Tinbergen ‘s experiment with Herring gull chicks. Too often students in classrooms wonder, why am I learning about this?

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As revealed in an antique copy of Herodotus in St John’s College Old LibraryGreek sculptors learned the Egyptians’ techniques and initially created truly realistic depictions of the human body, like Kritian Boy at the Acropolis Museum in AthensGreece. How Art Made the World.

How Art Made the World

An account hiw man’s development through his scientific and technological achievements. A side-bar devoted to Gombrich reveals how little Spivey actually values him. Write a customer review. In this series we are shown exactly why art is not only relevant, but a cornerstone of what we, as humans, are.

A section on political propaganda extends from the deifying of tribal leaders to the advertising campaigns relied on by contemporary politicians.

Spivey travels to the Naturhistorisches Museum in Vienna to examine the Venus’s grotesquely exaggerated breasts and abdomen, as well as its lack of arms and face, which shows the desire to exaggerate dates back to the very first images of the human body created by our ancestors.

We’ll be witnessing some of the extraordinary ceremonies of the world’s aart artistic cultures.

Noted art historian Nigel Spivey begins with this puzzle to explore the record of humanity’s artistic endeavors, and their impact on our own development. The Art of Persuasion In each episode historian Simon Schama treats, in his own erudite, unconventional and somewhat socially engaged style, a work of art from a great master. Get to Know Us.

Sheds light on how film, the most powerful storytelling medium ever created, exploits techniques invented by artists in the ancient world. But why do these images, the pictures, symbols and the art we see around us every day, have such a powerful hold on us?

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How Art Made the World (TV Series – ) – IMDb

A Journey to the Origins of Art”. They mould and define us. Retrieved 16 June We’ll see how the struggles of early artists led to the triumphs of the world’s great civilisations. About this site Cookies Privacy policy. In this five-part series, Cambridge University lecturer Nigel Spivey leads viewers on a journey through the history of visual imagery and its impact on the world today.

Kinda beat- but works. Ramachandran concludes, I think there’s an analogy here in that what’s going on in the brains of our ancestors, the artists who were creating these Venus figurines were producing grossly exaggerated versions, the equivalent for their brain of what the stick with the three red stripes is for the chick’s brain.

Mapped onto the wall tbe the unfinished Tomb of Amenhotep III’s vizier Ramose he discovers the grid which dictated the precise proportions and composition of these images for three thousand years. Because when our ancient ancestors first created the images that made sense of their world, they produced a visual legacy which has helped to shape our own.

Faust – an academic nerd who suffered from the itchy syndrome identified by Nigel Spivey as ‘cloisterphobia’ – begged the Devil to rescue him from obscurity and to satisfy his grosser cravings.